Ivar Grydeland / Mazen Kerbaj / Andrea Neumann at pas @ Petersburg Art Space Berlin, Berlin [15. Februar]

Ivar Grydeland / Mazen Kerbaj / Andrea Neumann at pas


26
15.
Februar
20:00 - 23:00

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Petersburg Art Space Berlin
Kaiserin-Augusta-Allee 101, 10553 Berlin, Germany
vovne: trio

Ivar Grydeland — guitar
Mazen Kerbaj — trumpet
Andrea Neumann — innenklavier, electronics

Doors open at 20:00, music starts after 20:30
Entrance in the courtyard, Ausgang II

Info:

Ivar Grydeland plays electric and acoustic guitars, banjo, pedal steel guitar and various electronics in bands like Huntsville (Hubro and Rune Grammofon), Dans les arbres (ECM), Hanne Hukkelberg and country-rock outfit Last Heat. Grydeland’s solo debut “Bathymetric Modes” (Hubro) was released in 2012, after 25 or so releases with various bands and projects over the last 13 years. Long-time collaborators are in particular Ingar Zach, Tonny Kluften, Xavier Charles, Christian Wallumrød and Hanne Hukkelberg. Grydeland is currently a research fellow at the Norwegian Academy of Music in Oslo, under the Norwegian Artistic Research Programme.

http://ivargrydeland.com

Mazen Kerbaj was born in 1975 in Beirut and lived there since. His main activities are comics, painting and music. After a lot of works for different publishers and magazines, it is in March 2000 that he releases some of his more personal works in his Journal 1999 (a dairy in comics' format). He self-published eight other books and many short stories since. It is also in 2000 that he plays for the first time in concert, in the Strike's pub in Beirut. This concert, a duo with Lebanese sax player Christine Sehnaoui, is probably the first improvised music concert in the Middle East. In 2001, together with guitarist Sharif Sehnaoui, he creates the MILL association that curates since IRTIJAL an annual international festival for free music in Beirut as well as various concerts and events (IRTIJAL saw over the years some great improvisers like Fred Van Hove, Johannes Bauer, Lê Quan Ninh, Franz Hautzinger...). In august 2002, together with Sharif Sehnaoui and double bass player Raed Yassine he recorded the album A published by La CD-Thèque, Beirut.
After meeting Franz Hautzinger by chance in Lebanon in February 2003, they played in duo in Beirut and in Paris and in trio with Japanese laptop player Taku Unami at the IRTIJAL 2003 festival. Then they were joined by Sharif Sehnaoui and Helge Hinteregger to form Oriental Space quartet that played in Nickelsdorf, Berlin, Vienna and Klagenfurt. A recording of this group is avilable on the Austrian label aRtonal, and Abu Tarek, a recording of the duo Hautzinger/Kerbaj is available on the Portugese label Creative Sources. In 2005, Kerbaj releases 2 new albums on the Lebanese newly born label Al Maslakh (The Slaughterhouse), one in solo and the other with Rouba3i quartet. Between 2000 and 2006, Mazen Kerbaj played in solo and various groups in a lot of venues in Lebanon, Syria, France, Austria, Germany, Netherlands, Belgium, Spain, Portugal, Switzerland, UK, and the USA. Regular and occasional partners includes: Sharif Sehnaoui, Christine Sehnaoui, Raed Yassine, Charbel Haber, Jad Balaben, Jassem Hindi, Franz Hautzinger, Helge Hinteregger, Lê Quan Ninh, Bertrand Denzler, Stéphane Rives, Edward Perraud, Taku Unami, Guillermo Gregorio, Gene Coleman, Toshimaru Nakamura, Michael Zerang, Fred Lonberg-Holm, Jim Baker, Jack Wright, Mike Bullok, Vic Rawlings, David Stackenas, Martin Küchen, Axel Dörner, Tatsuya Nakatani, Ricardo Arias, Jason Khan.

https://kerbaj.com

Andrea Neumann
Born 1968 in Freiburg, grew up in Hamburg. Piano lessons since 1974. Studied piano at «Hochschule der Kunste» in Berlin. Since 1996 primarily active as improviser and composer in the areas of experimental and new music. In the process of exploring the piano for new sound possibilities, she has reduced the instrument to strings, resonance board and metal frame. With the help of electronics to manipulate and amplify the sounds (sometimes to make parts of the sound audible which are inaudible without amplification), she has developed numerous new playing techniques, sounds, and ways of preparing the dismantled instrument. Because the original inside piano is very heavy, a piano builder (Bernd Bittmann, Berlin) constructed a new and lighter one for her. She has worked intensively in the crossover area between composition and improvisation, and in the field between electronic and handmade sounds, with Berlin musicians such as Annette Krebs, Ignaz Schick, Axel Dörner, Robin Hayward and Burkhard Beins. She has composed for inside piano for interdisciplinary projects including film, dance, performance, etc.

https://ausland-berlin.de/andrea-neumann
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